Contact Iona Miller

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Contact Iona Miller

Creative action at the bleeding edge of intelligence.

Iona Miller, artist, hypnotherapist, consultant and transdisciplinarian, is a nonfiction writer for both the academic and popular press, hypnotherapist (ACHE) and multimedia artist. Her work is an omnisensory fusion of sacred activism, intelligence, science-art, chaos theory, plenum physics, and emergent paradigm shift melding experiential psychotherapy, new physics, biophysics, philosophy, cosmology, healing, creativity, qabalah, magick, paranormal, "dirty tricks," media ecology, mind control, paramedia, metaphysics, and culture change. Rather than having an interest in specific doctrines, she is interested in the EFFECTS of doctrines from religion, science, psychology, and the arts. Our beliefs are the moldable raw material of the psyche, manipulated by governments, media and culture. How do we become what we are and how is that process changing in the near future?

Performance artist and spywhisperer, Ms. Miller writes for the international academic and popular press and is published by Phanes Press, Destiny Books (Inner Traditions), Autonomedia, Nexus Magazine, Dream Network, PM&E, Journal of Nonlocality and Remote Mental Interactions (JNLRMI), Chaosophy Journal, OAK, DNA Monthly, Pop Occulture, Schiffer, Bolero, Science-Art Research Centre, and more. She serves on the Boards of Medigrace.org, and The Wisdom Center, nonprofit organizations. Recent contributions include print articles in Der Golem (Germany), Paranoia zine #44, #46 (USA), HunterGatheress Journal, JNLRMI (Russia), Antibiothis (Portugal), The Art of Fetish (Miami), and Journal of Interdisciplinary Crossroads (India). Her artwork has shown in Miami, Phoenix, New York, in magazines and more. She has appeared in 21st Century Radio, Untamed Dimensions, Reality Portal, Digital Long Island, etc.

 

THE SPYWHISPERER: THE RED, WHITE & BLACK OPS BLUES

  • Intelligence
  • ESPionage
  • Mind Control
  • Covert Action
  • Counter Intelligence
  • Cover Ups
  • Dirty Tricks
  • Foregone Collusions
  • The Controllers
  • Social Engineering
  • Social Justice
  • Clandestine History
  • Citizen Journalism
  • Public Advocacy
  • Conspirituality
  • Spiritual Activism
  • Constitutional Restoration
  • Media Ecology
  • Social Networks
  • Paramedia
  • OpEd
  • Integrative Cultural Transformation

DIGITAL DIVA: CULTURE, CHAOS & ORDER

  • Future Science
  • Creativity & Human Potential
  • Emergent Healing
  • Experiential Psychotherapy
  • Consciousness Studies
  • Science-Art
  • Soul Support
  • Parapsychology/Paranormal
  • Neurotheology
  • Zero Point Physics
  • Holographic Biophysics
  • Photonics
  • Culture, Chaos & Complexity
  • Spiritual Physics
  • Jungian Psychology
  • Meditation Science & Medicine
  • Hypnotherapy
  • Dreamhealing
  • Digital Fine Art
  • Post-POMO Metaphysics
  • Synergetic Qabalah,
  • Conscious Alchemy
  • Mythic Living
  • Pop Occulture
  • High Weirdness
  • Self-Help & Self-Regulation
 

Iona Miller: Digital, Performance and Science-Art

 

Artistic expression offers self-indulgent permission for virtually mythical living. Anyone can broadcast their own reality. We now provide our own content rather than passively consume predigested media pablum and disinformation. Lack of talent or inability to play is no disqualifier; particpants are nominated and elected by themselves only. We may give wildly different names to these substructural alters than those from the normal classifications of art. Our multitudinous personae are cyborg hybrids spawned in hidden hothouses.

The artist is perhaps the main contemporary exponent of the chaotic/creative edge, especially those comitted to performance, underground, transgressive, sexual art or culture jamming. The thread of sexuality is woven through the whole cultural history of art. When order becomes too rigid, atavistic forces of entropy arise to dissolve that outworn system back into chaos for creative restructuring. This is nature’s way. And the artist’s way. Artists open us to radically new environmenments here and now.

Art gives form to the apparitions of our imaginations, and one of the most imaginative is the erotic form, expression of the erotic impulse, or raw libido. Both art and eroticism are forms of the epitome of human life, expressions of insight and deep feeling. Sexuality is one way of inducing ecstatic states that alter perception dramatically. It is simultaneously and paradoxically ordinary yet extraordinary. It embodies the very essence of dramatic tension, a finite act with infinite repercussions. Beyond this we find elements of complexity, death, spirituality and science, and most importantly the intellectual interwoven.

In Understanding Media, Marshall McLuhan conjectured, "If men were able to be convinced that art is precise advance knowledge of how to cope with the psychic and social consequences of the next technology, would they all become artists? Or would they begin a careful translation of new art forms into social navigation charts? I am curious to know what would happen if art were suddenly seen for what it is, namely, exact information of how to rearrange one's psyche in order to anticipate the next blow from our own extended faculties."

Artists are the chaotic attractors of the social field. While conventional artists may enjoy great favor, the ‘strange attractors,’ including leading edge and extreme artists have a special role as catalysts in contemporary life. Artists have always drawn others beyond the limits of their ordinary awareness, confronting them with another reality -- mysterious, paranormal, occult and clandestine worlds -- initiating them into worlds of profound meaning without conventional boundaries.

The artistic life is a chaotic arc of inspiration upon inspiration, following the Muse. Artists walk what for others is ‘the road not taken" (chaos theory's bifurcation or forking of the way) sometimes going "where angels fear to tread." Their charismatic influence pulls others into their orbits, and the small effect of one personality potentially spreads its influence over the world, sometimes over history. It is a matter of applying leverage at the most strategic point to pump up small forces into macroscopic effects. The history of art is one of the richest threads of our cultural heritage.

ART AS META-SYN: Art can be therapeutic, both in the process of creation and for the viewer who reacts from personal associations. Art bares the soul, and provides a container for unbridled self-expression. High synergy is a differentiating characteristic of the nonagressive and secure. Beyond synergy is negentropy, the flow of creative connection. Symbolic art has both an emotional and cognitive content. Metaphysical art draws on the multicultural iconography, not only of the globe, but of the Beyond. At its best it embodies and reveal the indomitable human Spirit.

Any depth psychologist or therapist knows that the stories they hear from most of their clients fall into very few, quite typical tales. What we need are bigger stories to guide us in our complex world. We can enlarge our perspective from the individual to the global through “bigger stories”, such as those from our wisdom traditions.

Mythopoesis means literally, "myth-making," the natural expression of the visionary wisdom inborn to the human species (Lash, et al). It is a creative act of story-telling or narration, by which human beings "track" their experience and orient themselves to the cosmos at large.

Metahistory is a guiding narrative for human potential, rather than an interpretation of events. The cross-cultural metastory of the human species is an overarching view of past, present, and future. It opens a path toward participation in a story that leads beyond history, a mythos to guide the species.

ART AS META-SYN: Art can be therapeutic, both in the process of creation and for the viewer who reacts from personal associations. Art bares the soul, and provides a container for unbridled self-expression. High synergy is a differentiating characteristic of the nonagressive and secure. Beyond synergy is negentropy, the flow of creative connection with Source. Symbolic art has both an emotional and cognitive content. Metaphysical art draws on the multicultural iconography, not only of the globe, but of the Beyond. At its best it embodies and reveal the indomitable human Spirit.

KNOW BROW ART
http://knowbrowart.50megs.com
Neither High-brow nor Low-Brow, the Electronic Arts are "KNOW-Brow Art" born of our fusion with technology. In the middle of the forehead, neither high nor low is the Third Eye of inner or visionary sight. Electronic arts, by their very nature, require a great deal of technical knowledge to interface with computer-assisted media. Know Brow art respects and draws from both classical art and that of the underground or street. Digital Media include still frames, Flash, and desktop digital movies, often incorporated with other media, installation, and performance.

 

2008: Lux Est Vita

May 2008 be the year of global enlightenment, where every individual wakes to/from the matrix of programming and disinformation, counter-intelligence, wage-slavery and dumbing-down into serfdom. May each individual awaken now to freedom, knowledge and responsibility.

If you go obsessively looking for something in the matrix, you are sure to find it. Discover the means of living simultaneously in all cultural modes while quite conscious. All spiritual worldviews, including science, are narratives or interpretations of the nature of reality and our nature. We can make our practice and service contemporary by drawing on each era and drawing them forward into the future.

 

“The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realize its purposes through him. As a human being he may have moods and a will and personal aims, but as an artist he is 'man' in a higher sense - he is 'collective man,' a vehicle and molder of the unconscious psychic life of mankind.” (Carl Jung, Psychology and Literature, 1930)

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IONATOPIA 2000-2007

 
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